Typically, the grounds of ancient Japanese temples are designed to intimidate. At the main gates, it is customary to find the Nio—muscular, sinewy guardian deities—glaring down at visitors with bulging eyes. Their purpose is to repel evil, and the logic is sound: if the gatekeepers looked frail, any passing spirit would feel welcome to waltz right in. It was with these cynical thoughts on spiritual security that I found myself wandering through Kencho-ji, a preeminent Zen temple in Kamakura.
While drifting aimlessly through the grounds, I encountered something peculiar. There, perched solitary on the wooden veranda of the weathered main hall, was a small statue of an owl.
It certainly didn’t look the part of a divine protector for the magnificent Jizo Bosatsu enshrined within. Being a diminutive bird of prey to begin with, its cheap, plastic-like texture lacked even a shred of dignity. To suggest this creature could safeguard the Buddhist Law seemed, frankly, ambitious.
This "underqualified" owl wasn't even keeping an eye on the altar. I happen to possess the useless bit of trivia that owls have an extraordinary number of cervical vertebrae, allowing them to rotate their heads 270 degrees. Yet, this particular specimen’s neck was frozen in a permanent tilt, staring blankly into the distance. It wouldn't even notice a demon creeping up from behind. Watching its vacant expression, I found myself exasperated that a Zen temple of such high lineage would indulge in such a whimsical—if not ridiculous—eccentricity.
However, a bit of investigation quickly dismantled my smug misunderstanding.
The role of this owl is fundamentally different from that of the fierce Nio guardians. It does not exist for the noble purpose of protecting the dharma or the faithful; its mission is far more pragmatic. It is there to save the historic structure from the scourge of pigeon droppings.
In a sense, it is indeed guarding the sanctuary from external enemies. It’s just that the enemies have been narrowed down from "demons" to "pigeons and crows." There is something wonderfully unsentimental about seeing a world-class temple nonchalantly deploy a hardware-store bird repellent in its most sacred space. It is practical, it is unpretentious, and in its own way, it is perfectly Zen.
| Aug 2016 KANAGAWA STILL LIFE | |
| BIRD KAMAKURA STATUE TEMPLE |
No
9853
Shooting Date
May 2016
Posted On
August 27, 2016
Modified On
May 1, 2026
Place
Kencho-ji Temple, Kanagawa
Genre
Still Life Photography
Camera
SIGMA DP2 MERRILL