When a suburban train glides into a Mumbai station, a torrent of passengers spills out all at once. The platform is instantly awash in the colors of saris, as if a fish market had come alive and migrated onto the railway. Hindu women stride forward in their traditional dress, pressing on despite the oppressive heat. Among them, I noticed a single figure in a black hijab. We are often tempted to think of India as monolithically Hindu, yet more than ten percent of its population is Muslim, and in a metropolis like Mumbai, the two faiths coexist in the same daily rhythm.
The presence of the woman in black signified more than a difference of costume. To watch her step off the same train beside women in saris was like seeing an illustration from a textbook on diversity—but here, nobody batted an eye. In a country of over a billion, religious differences are absorbed into the everyday scenery. Still, when festivals from different traditions happen to coincide, government offices groan under the weight of too many holidays, a reminder that diversity can be both celebrated and administratively inconvenient.
Standing on the crowded platform, it struck me that the station was more than a junction of trains—it was a microcosm of Indian society. Hinduism and Islam, Christianity and Zoroastrianism all pressed together, rubbing shoulders, sometimes with friction, but still coexisting. A station, in its bustle and contradictions, speaks more eloquently than sermons, more chaotically than any textbook, and at times more humorously than both.
Mar 2011 IN THE CITY INDIA | |
HIJAB MUMBAI PASSENGER PLATFORM SAREE STATION TRAIN WOMAN |
No
5251
Shooting Date
Sep 2010
Posted On
March 3, 2011
Modified On
September 9, 2025
Place
Mumbai, India
Genre
Street Photography
Camera
CANON EOS 1V
Lens
EF85MM F1.2L II USM